

However, the band I’d like to bring up today still remains largely unknown despite being featured on one of Tarantino’s most popular soundtracks, Kill Bill Vol. Or, in the case of Urge Overkill, giving a struggling band a hit song.

Once in a while, he’ll bring out a popular tune like Nancy Sinatra’s cover of “Bang Bang” or Dusty Springfield’s “Son of a Preacher Man,” but more often than not, he shines a light on artists that would otherwise have gotten lost in the ether long ago. You’ve gotta give credit to Quentin Tarantino for filling his soundtracks with some of the most obscure and out-of-left-field music around. Review Summary: Sit back and enjoy the view
